My creative practice wrestles with culture within the body. Through choreography, I explore the construction of identity and the social structures that shape the body and corporeal experience. I use movement as a means of investigation and, working within feminist and deconstructionist methodologies, challenge conventional grammars of movement and theatrical norms.

My body is in constant dialogue with the world through lived experience, and my studio research coalesces around themes connected to both my intellectual inquiries and emotional life. Choreography becomes a process of thinking, with emergent movement generating the questions that shape each work’s development.

I understand theatre as a social microcosm that shapes ways of seeing and being seen. Within this space, I question representation and the systems that govern it through the careful positioning of the central figure in all my work: the body of the dancer.